Sources
52. Trio in fa

52.A.1

I-Li
 (

N.IV.21 b

)

1 leaf, 4° (33 × 24 cm) with 20 staves.
26 bars (= the first 24 bars of 52.A.2 with 2 additional introductory bars at the beginning).

52.A.2

I-Li
 (

N.IV.21 a

)

1 double leaf (2 pages of music), 4° (32 × 25 cm) with 24 staves.

Complete draft (on 3 systems) of a piece for orchestra comprised of 61 bars, the last five of which are indicated as “1° Tempo”; here the word “Trombe [trumpets]” appears at the beginning with the indication “archi [strings]” for the last two bars. The manuscript bears the autograph heading: “Trio in Fa”.

52.A.3

I-Li
 (

N.IV.21 c

)

1 double leaf (2 pages of music), 4° (32 × 25 cm) with 24 staves comprising a draft in full score of the first 12 bars.

Not Known
Not Known
Not Known

52.E.1

In Quartetto in Re a cura di Dieter Schickling. Trascrizione, revisione e integrazione del secondo e quarto movimento di Wolfgang Ludewig.
Ricordi, Milan, 2001.
PN 138559, XV + 52 pages, 4°.
(Third movement, Trio: pp. 23-26).
Also separate parts: PN 138775.

This is a critical edition based on 52.A.2 and 52.A.3.

52.E.2

In Giacomo Puccini, Scherzo in La Sc 34 – Trio in Fa Sc 52 per orchestra, edizione e completamento dell’orchestrazione del Trio in Fa di Virgilio Bernardoni.
Centro studi Giacomo Puccini, Lucca, 2014.

52.E.3

Trio in Fa, edited by Virgilio Bernardoni. 
In Giacomo Puccini, Composizioni per orchestra. A cura di Michele Girardi, Virgilio Bernardoni, and Dieter Schickling. 
Edizione Nazionale delle Opere di Giacomo Puccini, series II: Musica strumentale, vol. 1.
Stuttgart, Carus Verlag, 2015.
PN CV 56002, pp. 66-69. 

Critical edition based on 52.A.1, 52.A.2, and 52.A.3. 

Nota