64. Manon Lescaut
Appendices
Differences in Act 4 of Manon Lescaut
This table summarizes the more important differences of the printed editions between fig. 10 and 21 compared to the first edition (64.E.1). Except for a few details in the voice parts prior to fig. 10 and after fig. 21, all of the editions are identical.
In the first column, the abbreviation “Fig.” is used as a rubric of 64.E.1 to which all the other bar and rehearsal numbers refer.
|
64.E.1 |
64.E.2 (early 1893) |
64.E.3 (late 1893) |
64.E.4 (1898?) |
64.E.4 /64.E.5 (1909/1915) |
64.E.7 (1923) |
64.E.8 (later than 1923) |
|
Fig. 10: 28 bars |
text changed in bars 11-17 and 24/25 |
like 64.E.2 | like 64.E.2 | cut |
like 64.E.2 |
text changed in bars 6-17 and 24/25 |
|
Fig. 11: 23 bars |
Optional cut of bars 2-23; text changed in bars 10/11 |
like 64.E.2 | like 64.E.2 | cut | text changed in bars 10/11 | bars 10-17 cut |
|
Fig. 12: 24 bars |
like 64.E.1 | like 64.E.1 | like 64.E.1 | cut | like 64.E.1 | like 64.E.1 |
|
Fig. 13: 14 bars |
bars 1-8 cut |
like 64.E.2 | like 64.E.2 | cut | like 64.E.2 | like 64.E.2 |
|
Fig. 14: 12 bars |
bars 7/8 cut |
Bars 2-12 replaced by 9 new bars for orchestra |
like 64.E.2 | cut | like 64.E.2 |
Bars 7/8 and 11/12 were cut, and in |
|
Fig. 15: 11 bars |
like 64.E.1 | cut | like 64.E.1 | cut | like 64.E.1 | cut |
|
Fig. 16: 17 bars |
like 64.E.1 |
bars 1-10 cut |
like 64.E.1 | like 64.E.1 | like 64.E.1 | like 64.E.1 |
|
Fig. 17: 14 bars |
like 64.E.1 |
bars 1-4 cut |
like 64.E.1 | like 64.E.1 | like 64.E.1 | like 64.E.1 |
|
Fig. 18: 6 bars |
like 64.E.1 | like 64.E.1 | like 64.E.1 | like 64.E.1 | like 64.E.1 |
In bars 5/6 the voice part was cut. |
|
Fig. 19: 11 bars |
like 64.E.1 | like 64.E.1 | like 64.E.1 | like 64.E.1 | like 64.E.1 | like 64.E.1 |
|
Fig. 20: 12 bars |
like 64.E.1 | like 64.E.1 | like 64.E.1 | like 64.E.1 | like 64.E.1 | cut |