47. Fuga
Notes
According to Mostra 1974, this is “un frammento di fuga vocale”, signifying that it was obviously written in the soprano, alto, tenor, and bass clefs. Hopkinson listed it as “the final part of another fugue”.
According to Mostra 1974, this is “un frammento di fuga vocale”, signifying that it was obviously written in the soprano, alto, tenor, and bass clefs. Hopkinson listed it as “the final part of another fugue”.